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N.B. In a few places throughout the song, divisi is clearly notated, while in others it is totally ambiguous. For ease of making individual part tracks, I used the assignation of parts in m. 58-59 to decide the rest of the song. So when parts aren’t marked, the divisi in the tracks goes (from highest to lowest voice) Stevens, Gibbs, Birdlace, Bernstein, Fector, Boland.